The showroom and studio of Latitude 22N is housed in a 1970’s warehouse in Chai Wan. Here Hong Kong born and bred Julie Progin and her American born husband Jesse McLin work and showcase their varied collections. This clever duo not only create and design but also work with artisans in Jingdezhen province in China, the home of porcelain, to produce a modern yet quirky take on ceramics. You will find it hard to leave Latitude 22N without something. Their suspension lights come in a multitude of colours; their ‘Ding’ light, in white or black, is a delicate yet striking modern take on the hanging light. Their basic porcelain bowls, plates and cups are produced in beautiful hues, and their collections, The Night Market, Song and Waves are unique and refreshing. Everything is done with precision and thought. It makes me think that ceramics/porcelain is definitely coming back in a big way. After graduating with a Bachelor in Fine Arts at Kansas City Art Institute and then a Masters degree at The Alfred State School of Ceramics Arts Jesse McLin went to New York and taught at Parsons School of Design where he met Julie Progin. Jesse works with many different materials: metal, paper, ceramics, glass, and the incredible wooden tree installations could be used as a room divider or just to just simply have in a space gives a sense of calm. Jesse’s childhood growing up exploring the redwoods of Northern California perhaps gave him an eye to hand carve these beautiful wooden sculptures. Julie studied textiles at Duperré in Paris and ended up exploring product design at Parsons in New York, but her Hong Kong roots brought them back to launch their own design studio.
What made you start Latitude 22N?
Our wedding was the starting point. We wanted to share our appetite for ceramics and design with our loved ones. Next thing you know, we pulled up our sleeves and set out to create our wedding decor out of ceramic from lights to candle holders down to dinner plates. This is when our Song dinnerware collection came to be. We were inspired by the delicate, simple and nature influenced patterns of the Song era that were made in Jingdezhen, porcelain capital city of China, that we had seen at the Metropolitan in New York where we lived at the time. The designs we came up with had such good responses that we decided we had to find a way to make more pieces and what better place to make them then to go back where the source of our inspiration came from. So we packed our bags and headed off to explore the know hows of Jingdezhen’s craftsmen, dropping off suitcases in Hong Kong along the way. What we found there was breathtaking. Amazing white porcelain and skills that we had not encountered before. Naturally we started exchanging ideas with the artisans there and drew up more and more collections back in our studio in Hong Kong. The name Latitude 22N was then decided – 22N for the terrestrial coordinates of the city of Hong Kong. Latitude as a reflection of our diverse skills, backgrounds and that of all the people involved in the making of our collections.
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